We must be careful in all our talk about liturgical prayer not to rule out the spontaneous moves of the Spirit. Just as liturgical traditions have much to offer us by way of roots, the charismatic and Pentecostals have much to offer us in zeal and passion. Tradition and innovation go together in God’s kingdom. Jesus was Jewish. He went to synagogue “as was his tradition” and celebrated holy days such as Passover. But Jesus also healed on the Sabbath. Jesus points us to a God who is able to work within the institution and order, a God who is too big to be confined.
God is constantly colouring outside the lines. Jesus challenges structures that oppress and exclude, and busts through any traditions that put limitations on love. Love cannot be harnessed.
Liturgy is public poetry and art. You can make beautiful art by splashing paint on a wall, and you can also make art with the careful diligence of a sculptor. Both can be lovely, and both can be ugly. Both can be marketed and robbed of their original touch, and both have the potential to inspire and move people to do something beautiful for God. So it is with worship. More important than whether something is old or new, winsome or classic is whether it is real. The Scriptures tell us to “test the spirits”, and the true test of the spirit of a thing is whether it moves us closer to God and to our suffering neighbour. Does it have fruit outside of our own good feelings? Beauty must hearken to something beyond us. It should cause us to do something beautiful for God in the world.
– Shane Claiborne, Jonathan Wilson-Hartgrove, Enuma Okoro, Common Prayer, (Zondervan: Grand Rapids, Michigan, 2010) p.175-176